Born in Yerevan (Armenia), David Haroutunian received early tuition from his father, a professional violinist and pupil of Leonid Kogan. He went on to study at the Tchaikovsky Music School under Petros Haykazyan, graduating with honours in 1995. In the same year, he was an award winner in the Amadeus Competition. At the age of thirteen, he gave his first solo performance with orchestra, playing Mozart’s Violin Concerto in G major K216. This was soon followed by concerts in Armenia and Russia, and recordings for radio. In September 1995, he began his studies at the Conservatoire National Supérieur de Paris, obtaining the Premier Prix de Violon in 1998. In 1999, he embarked on the postgraduate course at the Conservatoire National Supérieur de Paris, where he was taught by Jean-Jacques Kantorow. In 1996, Rouben Aharonian (now first violinist of the Borodin Quartet) invited him to perform the double violin concertos by Bach and Vivaldi. The following year, he met Boris Belkin, whose role in the development of the young musician would be pivotal. In the same year, he gained an honours certificate from the Accademia Musicale Chigiana in Siena, Italy. During his studies, David Haroutunian benefited from the expertise of musicians including Olivier Charlier, Zachar Bron, Donald Weilerstein and Christian Ivaldi. Since then, his performing career has expanded to include solo appearances with the Armenian National Philharmonic Orchestra, Moscow Chamber Orchestra, Paris Conservatoire Graduates Orchestra, and with members of Strasbourg Philharmonic Orchestra and the SWR Sinfonieorchester. Concert tours have taken him as far afield as the former USSR, Italy, Great Britain, Germany, Estonia, Ukraine, Argentina, Morocco and Algeria. His interest in the music of all eras ranks him amongst the most eclectic violinists of his generation. A chamber musician of repute, he is regularly invited to play at music festivals of all kinds. David Haroutunian has given solo and chamber recitals in concert halls including the Théâtre des Champs- Élysées, Salle Cortot, Budapest Philharmonic, Moscow’s Hall of Columns, Palazzo Chigi Saracini in Siena, with partners including Paul Badura-Skoda, Elisabeth Leonskaja, Itamar Golan, François-Frédéric Guy, Sonia Wieder-Atherton, Vahan Mardirossian, Henri Demarquette, Jean-Jacques Kantorow and Gérard Poulet. In December 1999 he recorded a live recital for Radio Budapest. The disk received great critical acclaim in Hungary. David Haroutunian has participated in various radio broadcasts on stations including France Musique, Radio Classique, Armenian National Radio and Hungarian National Radio. He is artistic director of the chamber music festivals ‘Les Variations Musicales de Saint-Estèphe’, the ‘Festival de Bormes-les-Mimosas’ and as of 2017, ‘Musique(s) en Emeraude’ in Saint-Malo. In 2016, he formed the Armenian music ensemble Toumanian Mek. Passionate about teaching and music outreach, David Haroutunian has taught at the ‘Conservatoire Erik Satie’ in Paris since 2018. He has also given numerous masterclasses in Argentina, Greece and Armenia. David Haroutunian est également le directeur artistique de trois festivals : « Les Variations Musicales de Saint-Estèphè », le « Festival de Bormes-les-Mimosas » ou encore « Musique(s) en Emeraude » à Saint-Malo. He plays a Lorenzo Carcassi violin made in Florence in 1753.
Tangomotán members seek to improvise and never cease to work on new covers, revisit tunes, evolve and free themselves in order to make tango tangible. Walls will be covered by images while a voice will join instruments and the scene will become a theatre. Time stops during a concert: the past, the present and the future meet and communicate one to another. Everything has changed. It’s all the same.