Between 1508 and 1512, Michelangelo painted the creation of the world on the ceiling of the Sixtine Chapel. He shows God giving life, through his finger, to Adam, the first man of Creation. From this divine hand to one of painters and craftsmen, we will question the statute of the artist, a creator, too. Is he supposed to be assimilated to demiurge capable of playing with the time? Can he stop it or even generate timelessness? So what does each creation reveal to us of the present time of its making and what is it when we receive it a few decades or a hundred years later? Is the restoration of a masterpiece: an interpretation of a unique making, a form of resurrection or an attempt at immortality? Based on a selection of major works from the history of the arts and productions of students in Arts Crafts at École Boulle Paris, we will see how the Artist evolves between heritage and modernity projecting us through his gifted hand, in dual times: both spaced and superimposed.